Monday, March 29, 2010

Greatest Guitar Riffs?

(These songs are considered to have the best guitar riffs. Well from my friend's point of view.)

"Enter Sandman"--Metallica: "Master Of Puppets" or "For Whom The Bells Tolls" or even "Fight Fire With Fire" might make for better overall riffs, but "Enter Sandman" has a presence that everyone in the room feels and I've seen some pretty bad bar bands tackle this one and still come out sounding as if they knew something about music.

"Black Dog"--Led Zeppelin: Jimmy Page figured out the 1970s before anyone. As a guitar player he wasn't about to let a lead singer score all the girls, so he made sure that his band based their tunes not on quaint little pop hooks, but guitar riffs that would send every teenager in America back to their bedrooms to woodshed and to scrutinize how it was done. Then he gave the songs titles that no one could figure out.

"Jumping Jack Flash"--The Rolling Stones: Less a riff than a conglomeration of chords, but the Stones mastered the art of the chunky riff. Some would take "Brown Sugar." I'd prefer "Gimme Shelter" by a hair. But of this old beast's catalog, this still sounds fresh to me, while many others have grown tired thanks to the conspiracy of classic rock radio.

"I Feel Fine"--The Beatles: All said, I'd take "She Said, She Said" or "And Your Bird Can Sing," but we'll stick with the tunes that the band and their record company pushed on the public as hit singles. This one with its use of (gasp) feedback (were people conservative and corny back then or what?) and its string mangling complexity make you wonder why they bothered. I guess they wanted a challenge. This could've been a hit even without the difficult riff.

"Walk This Way"--Aerosmith: That this riff worked so well in a hip-hop context just goes to show you don't know what you have even when you have it. I'm sure Joe Perry and Brad Whitford knew they had a decent riff to work off of when they played it back in the mid-'70s, but I'm also pretty sure that they didn't hear it as being revolutionary or probably that much better than many of their other riffs. At this point, you wonder if they ever want to play it again. That is, until the money rolls in and then it probably seems like a good idea.

"Day Tripper"--The Beatles: Another one from the Fab Four where the riff is more important than the rest of the tune. And it's a nice tune. But everyone tries to play this for the joy of the riff and who gets around to the rest of the song? Nobody.

"Heartbreaker"--Led Zeppelin: Just another great Jimmy Page riff. The only problem with listing any Led Zep riff is you're immediately reminded of all the ones you're leaving, yes, "The Ocean," "The Immigrant Song," "Living Loving Maid," "In the Evening," "Kashmir," the list goes on...

"Smells Like Teen Spirit"--Nirvana: I don't know whether I'm voting for the four chords that run throughout the song or the two notes that ring out when the chords fall away. Either way, it's impossible to explain how weird, unusual and right this sounded the very first time I heard it. And how everyone argued over whether it was too easy to be for real. As a simpleton, I like simple.

"Crazy Train"--Ozzy Osbourne: This almost sounds like an Indian music scale if you play it a certain way. Ozzy says Randy saved his career and remembers the man with great reverence and if I met someone who gave me a riff that delivered a career comeback like "Crazy Train" did for Ozzy, well, yeah, I'd be pretty thankful as well. And name a couple of kids after him.

"Voodoo Child"--Jimi Hendrix: Another great riff remembered as much for how many other people screw it up. Stevie Ray Vaughan could pull it off note for note, but the guys who show up to woodshed at the local open mics need to stop murdering this legendary lick. It's like a game of "Are You Serious?"

"Another One Bites The Dust"--Queen: I didn't include any bass guitar riffs because I didn't want to make things more confusing but I had to include this one. It gave bass players a reason to live. And as readers of this fine column know, I'm well aware that bass players frequently suffer from low self-esteem and feelings that the other people in the band don't think very highly of them. This isn't paranoia. This is usually dead on.

"Iron Man"--Black Sabbath: Black Sabbath are another band chock full of great riffs for aspiring guitar players. Guys who can't sing love to play Sabbath tunes because they know as the guitar player they get to be the real focal point of the band. So whether it's "War Pigs," "Paranoid," "Sweet Leaf," "Children Of The Grave," "Hole In The Sky" or "Iron Man," the guy holding the guitar controls the destiny of the band. Such power!

"Whole Lotta Love"--Led Zeppelin: Just had to sneak one last Jimmy Page riff in here. His tone alone is shivering. The tension of the little snap-back you hear weirds me out. How many notes are actually happening here? It counts out as two, but feels like five.

"Purple Haze"--Jimi Hendrix: I've heard hundreds of people play this lick. No one sounds like Hendrix. And it isn't just a matter of tone. It's a matter of feel. The word genius gets thrown around pretty carelessly. "Oh, look, Jim parallel parked the car today. He's a genius." No, that's luck. This is genius.

"(I Can't Get No) Satisfaction"--The Rolling Stones: Here's the proof that sometimes what is simplest is best. Occam's Razor as it applies to music. The extra fuzztone helped, but really writing this lick must now feel like discovering water or having written "Happy Birthday." It's that obvious.

"Smoke On The Water"--Deep Purple: I was never in a band that actually played this song. I've never known anyone who's been in a band that's played this song. But I've never met a guitar player who didn't play the opening lick for hours upon receiving their first electric guitar. It's so prevalent, it's more like a catchphrase than a riff.

Devon M

Saturday, March 13, 2010

"Don't be an eyesore"

Janus is one of the latest upcoming bands that formed in 2004. The Chicago-based band has recently released their first studio album titled 'Red Right Return'. With the first single from the album being 'Eyesore'. This song seems very well structured and displays solid musicianship. "Eyesore is about listening to your own voice, not letting others influence your thoughs and decisions, and being true to yourself. The title, "Eyesore", is meant to define that moment of awareness where you realize the consequence of not following your own voice." David Scotney (lead singer) in an interview decribes the meaning behind the band's first single. For a rock song it seems pretty typical sounding. But does seem to stand out and is indeed a great sinlge.

Monday, March 8, 2010

"I found mysef in Wonderland"

Avril Lavigne's latest new single "Alice" takes the lead track of "Alice In Wonderland's" soundtrack. This song is very nicely arranged with very interesting vocals displayed by Avril. Much of the lyrics in the song have much reference to the movie. (A full review of "Alice In Wonderland"will be posted soon.) Avril's approach with this song seems to be clear. Her vocals are getting better. Her her high notes seem pitch on. Although there's more to be desired with the song's structure and music arrangements. Nothing wrong with a little improvements here and there. Avril did a great job with this song. But the old Avril with her wanna be punk-rock songs will be missed. Not that the new Avril isn't cool. Just when you compare the first album to some of her newer material. The first album will always be the one that takes the cake. Avril is growing up, but does her music have to become more sophisticated and more cliched?

Devon M

Sunday, March 7, 2010

What's next after 'Neon Bible'?

Arcade Fire will release their third studio album in May 2010. This will be a follow-up to "Neon Bible" and will be preceded by a single - and the band's plan to headline at least one major summer festival. (Maybe Lollapolooza?) Although it has been two years since the band released their previous album. They haven't been resting their laurels. Violinist Sarah Neufeld and multi-instrumentalist Richard Parry released another album with their group, "Bell Orchestra", earlier this year. In October, Parry debuted a new orchestral work, for "Heart and Breath and Orcestra", which incorporated the musicians pulse and breath into the performance. So far all we know is the band is working on the new album, and working on ideas for new songs. They even teamed up with Markus Dravus (Coldplay's Engineer) whom has commented and said that so far what he has heard from the band seems to be on the right track. Also making comments that the sound is even better than their previous album. If all goes well, this maybe a great album in the works. Or another failed expirement. Either way, we'll just have to wait until the first single is released in the upcoming months to really determine if this will be indeed a noble effort from the quirky band known as Arcade Fire.

Devon M

Message in a blog

This message is for someone out there in space. No one will know whom this is. Or whom I am writing to. This person doesn't work with me and probably will never read this. So let's get started shall we!

1: Everytime I think of you I laugh. This is including the time you decided to do a karate kick and break your mom's cocktail table. I find the things you say are rather annoying. This also includes all the positive things that you try to be. In retrospect I think you're an amazing person with a smelly heart.

2: You don't make youtube videos anymore? I went to visit your channel and it was deleted. I don't understand? Why would you just like totally stop doing something you loved to do? Although the cat video was just weird, and the video you displayed about people and aliens didn't really thrill me. But I do have to say that you're a natural at making random things happen.

3: You're like the first person I drank Vodka with. Yes it wasn't the best tasting drink. It was mostly on the weak side to tell you the truth. But still that was my first ever drink. I shared that moment with you. I really thought it was awesome to drink with you. Although when you get a little to Vodka happy. I rather just stay clear of you.

4: I danced with you and honestly I didn't like it. You have two left feet. Seriously I rather dance with a shoe. At least the shoe won't step on my feet. Yes I was wearing flipflops that time you jerk! I think you had on cleats. My feet were red and soar for a week. I don't understand how can someone with two left feet even manage to walk in a straight line?

5: You would really benefit if you didn't shower for two weeks. Put on a blonde wig with an all black outfit. Hang a dead rat or a chicken from your neck. Rub trash all over your body and eat onions without brushing your teeth. This will really help broaden your appeal to people. Then carry a whole bottle of Vodka and wear shoes that are difficult to walk in. This will give people the impression you're a filthy hobo.

(This messages have been thrown into space. Not sure if the person will ever read this. But please note that I said everything honestly; and no that comment was not intended to offend! Just random curiosity that's all! I mean seriously can't take a joke?)
By Devon M