Tuesday, October 25, 2011

2011 WINTER CONCERT WRAP-UP: Streetlight Manifesto




Felipe M

We love Streetlight Manifesto around these parts.  So when we found out that they would be coming to Durty Nellie's in Palatine, Pathological Hate was all too eager to see them live again.

February 15, 2011: Durty Nellie's, Palatine, IL-- This was the first time I've ever been to Nellie's, much less for a show at this venue.  It is definitely an impressive establishment as there's a bar and grill walled off from the stage area.  Overseeing both sections of this facility is a second floor that provides a good view of the action below--unfortunately the good view is only supplied for a few people as views gets pretty obstructed rather quickly as people try to muscle their way into the best view possible without spilling theirs or anybody else's drink.  Really the only perk to staying on the 2nd floor is that it plays as the designated drinking area as alcoholic beverages are not allowed in the mosh pit area.  Yeah, I couldn't believe it either!  

Nevertheless, the best feature of Nellie's is that it has two impressively sized telescreens which display the show for those people who don't want to get too close to the action.  It is pretty unique for a small venue like Nellie's to have such a feature as it adds to the show's experience.

The second floor is where we watched Terrible Things' full setlist.  Terrible Things is a group compiled from ex-members of Coheed and Cambria and Hot Rod Circuit.  However, the reason why you would know this band is because it's fronted by ex-Taking Back Sunday member, Fred Mascherino.  Admittedly, I recognized Mascherino, but just wasn't sure where I have seen him before.  Weeks after the show is when I realized who he was.  Nevertheless, the band's sound seemed to be "out-dated" and the energy was just lacking, as the songs were very uninteresting.  However, there was a small fan base that was digging the set so all was not totally lost.

If Terrible Things was a necessary evil to endure that night, then Streetlight Manifesto was ready to send us to hell.  Just like at the show at The Metro in July (of 2010), the mosh pit area was hot!  We're in the middle of winter, but the mosh pit was scorching and humid like a tropical jungle.  The crowd was simply amazing as they knew almost every word to every song and never stopped moving.  No band can constantly keep the crowd moving like Streetlight Manifesto.  I myself had to take a long water break midway through the show as the heat was unforgiving.

As far as the band goes, they are simply marvelous.  The band's setlist was similar to the one in July, 2010, with a few additions here and there, most noticeably  their cover of NOFX's "Linoleum" and a personal favorite of mine, "Failing, Flailing".  Just like the show in July, they synthesized "Point/Counterpoint" with "Keasbey Nights"--that never gets old!  They finished their set with what's quickly becoming my favorite song all time from the band, "Somewhere in the Between."  The encore featured "Linoleum" and just like in July, ended with "The Big Sleep." 

It was a cold, drizzly, winter's day in the Chicagoland area, and it was about two weeks after the biggest snowstorm in Chicago, but the hottest place to be in mid-February of 2011 was at Durty Nellie's as Streetlight Manifesto put out another bombastic show for a terrific crowd.

Make sure to check out last year's 1st Quarter Concert Wrap-Up.

Streetlight Manifesto has also recorded their version of Bad Religion's "Skyscraper."  Be sure to check out our countdown of the 50 GREATEST BAD RELIGION SONGS EVER.

Find out what Devon was also doing during the month of February as he covered the 2011 Chicago Auto Show.

Monday, October 17, 2011

TEN YEARS IN THE MAKING: Thursday Performs FULL COLLAPSE!



Felipe M.


If you don't know about Thursday and their album Full Collapse, then what are you waiting for?  It wasn't a very popular mainstream album and it did not make a dent in the charts back in 2001 (reaching #178 on the Billboard charts), but the imprint that it has left in the world of music is very prevalent, as it has become a fan favorite in the punk/hardcore/underground scene and has influenced many bands that followed its release.  It is truly a landmark of a gem in independent music.  

So earlier this year, Thursday had announced that they would be touring in support of Underoath where they would play Full Collapse IN ITS ENTIRETY!  I so happened to be there on February 9, 2011 at the House of Blues, Chicago, Illinois.

These old songs are still amazing and they have not aged a bit.  They're as cutting edge as anything that's being released by other bands today.  Thursday playing them live just justifies and confirms that belief.  Another thing that stuck out as these memorable songs were being played live is the fact that, as intense as these songs are, they make you move.  I'm not much of a dancer, but something in these songs just made me want to dance and as I was looking at the crowd, I wasn't alone in this thinking.  I mean, even the song "Concealer," which starts out as a simple head-bobbing tune, eventually becomes a song that you want to dance to.  

The crowd was pretty tamed, but that's at any Thursday show.  Thursday is the only hardcore act where the entire crowd is mesmerized by the band's lead singer (in this case, Geoff Rickly) as there are no cirlce pits, no moshing, and no need for elbows to be up at all times.  It is truly a sight to behold as the entire crowd is usually looking at the stage in awe.  

The band finished their set with a new song from their new album No Devolucion, "Turnpike Divides."  The song was so good, that I had made up my mind that I would go ahead and buy the album on its release date without listening to the other tracks (very rarely do I buy an album without listening to a few tracks first).  

This album will always have a special place for me and I was glad that Thursday decided to pay homage to it.  Outside of the very popular "Understanding in a Car Crash," the other songs are not played very regularly as they should be.  But "Autobiography of a Nation" ("WRITE THESE WORDS BACK DOWN!"), "Cross Out the Eyes," and "Paris in Flames" never gets old ; Hearing songs "A Hole in the World," "I Am the Killer," "Standing on the Edge of Summer," "Wind-Up," and "How Long Is the Night" for the first time live was definitely a treat.  

I wish more bands had the ability to play the 10 year anniversary of any albums.  Albums released in 2001 that I wish would be played live in their entirety are as follows:




To read the 50 GREATEST BAD RELIGION SONGS OF ALL TIME from the very beginning, click here.


Feel free to listen to the greatest NEW YEAR'S EVE song of all time, Thursday's "Jet Black New Year."

Also, check out Devon's interpretation of Thursday's "Autumn Leaves Revisited," along with other Song Facts