Longtime Companion is a 1989 film with Bruce Davison, Campbell Scott, Patrick Cassidy, and Mary-Louise Parker. The first wide-release theatrical film to deal with the subject of AIDS, the film takes its title from the words The New York Times used to describe the surviving same-sex partner of someone who had died of AIDS during the 1980s.
Cruising is a 1980 American crime thriller film written and directed by William Friedkin, and starring Al Pacino, Paul Sorvino and Karen Allen. It is loosely based on the novel of the same name, by The New York Times reporter Gerald Walker, about a serial killer targeting gay men, in particular those associated with the leather scene. The title is a play on words with a dual meaning, as "cruising" can describe police officers on patrol and also cruising for sex.
Poorly reviewed by critics upon release, Cruising was a modest financial success. The shooting and promotion were dogged by gay rights protesters, who believed that the film stigmatized them. The film is also notable for its open-ended finale, further complicated by the director's incoherent changes in the rough cut and synopsis, as well as due to other production issues.
Dakan (Destiny) is a 1997 French/Guinean drama film written and directed by Mohamed Camara. It premiered at the Cannes Film Festival. Telling the story of two young men struggling with their love for each other, it has been described as the first West African feature film to deal with homosexuality.
Pariah is a 2011 American art drama film written and directed by Dee Rees. It tells the story of Alike (Adepero Oduye), a 17-year-old African-American embracing her identity as a lesbian. It premiered at the 2011 Sundance Film Festival and was awarded the Excellence in Cinematography Award.
Paris Is Burning is a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it. Some critics consider the film to be an invaluable documentary of the end of the "Golden Age" of New York City drag balls, and a thoughtful exploration of race, class, gender, and sexuality in America.
In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".