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Showing posts with label Alkaline Trio. Show all posts
Showing posts with label Alkaline Trio. Show all posts

Tuesday, July 18, 2017

Song Facts Part Two

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Nirvana "Serve the Servants"
This is Kurt Cobain's most autobiographical song. The lyrics contain references to his father, his wife Courtney Love and his own success.
The witch reference about Courtney Love in the first verse was Cobain's frustration with the press for constantly vilifying Love as a horrible house wife, mother, drug addict and detriment to Nirvana.
The divorce of Cobain's parents inspired the line "That legendary divorce is such a bore."

Radiohead "Paranoid Android"
Lead singer Thom Yorke decided to bar-hop in L.A. one night, but what began as a festive evening soon became a nightmare as Yorke found himself surrounded by parasitic scenestalkers intent on extracting a pound of Yorke-flesh. "The people I saw that night were just like demons from another planet." That night inspired "Paranoid Android", a song that sums up "OK Computer's" claustrophobic blend of melancholic beauty and nerve-rattling aggression.
Yorke: It's about being exposed to God. It was that one night, really. We'd been rehearsin the song for months, but the lyrics came to me at five o' clock in the morning. I was trying to sleep when I literally heard these voices that wouldn't leave me alone. They were voices of the people I'd heard in the bar. It turned out to be a notrious, coke-friend place, but I didn't know that. Basically it's just about chaos, chaos, utter f--king chaos".
The song's structure is patterned after "Happiness is a warm gun" by The Beatles. Both clearly a collection of other, shorter pieces of songs put together into one.
Many radio stations asked for a shorter version, but Radiohead refused.
The guitar solo at the end of the song was written by guitarist Jonny Greenwood. It was not originally intended for the song, but something was needed to close the song and this solo was in the right key and right tempo. Some parts of this closing solo are played forward and other parts are played backward.

Alkaline Trio "Stupid Kid"
This song is about how miserable life can be if you develop a crush on one of your teachers in high school. The video tells a story of a little boy in elementary school who is in love with his teacher, doing whatever he could to please her. He gets made fun of my the other students, and soon the teacher ridicules him in front of the whole class, making him a laughing stock. After he leaves outside the room toward her window, he takes off the hat that he's been wearing the entire video, revealing two horns. The teacher can be seen struggling, surrounded in flames. Of course this video lead to controversy, and it was banned until it got edited so the student has no horns and the teacher is wrestling with nothing

Blind Melon "St. Andrew's Fall"
This song tells the story of a man who becomes overwhelmed with grief and throws himself off a 20 story building.

Faith No More "Epic"
This is a mix of funk, white-boy rap, crunchy heavy metal, and faux-Classical keyboard/piano. It contains utterly nonsensical lyrics. The lyrics frequently allude to "it," without ever explaining what "it" is. The chorus simply consists of the band shouting, "It's it!," while vocalist Mike Patton responds with "What is it?" The title is not mentioned in the lyrics.

Kings Of Leon "Molly's Chamber"
This song is about a girl that is very attractive and can make any man drop to his knees and worship her. She can be a tease: "And when you think she's let you in that's when she fades away." And if you're thinking about abstaining from sex, she'll break your will: "Molly's Chambers goin' change your mind."
The title comes from a line in the Thin Lizzy version of "Whiskey In A Jar": "Being drunk and weary I went to Molly's chamber.

Nine Inch Nails "The Perfect Drug"
The "Perfect Drug" is Absinthe, which is a French green liquor. One of the ingredients contains wormwood. Wormwood contains a substance called thujone, which is an epileptic and can cause renal failure in extremely high doses. The effect of absinthe is sometimes compared to the effects of opium and marijuana.

The Rolling Stones "Paint it Black"
This is written from the viewpoint of a person who is depressed. He wants everything to turn black to match his mood.
The song seems to be about a lover who died:
"I see a line of cars and they're all painted black" - The hearse and limos.
"With flowers and my love both never to come back" - The flowers from the funeral and her in the hearse. He talks about his heart being black because of his loss.
"I could not foresee this thing happening to you" - It was an unexpected and sudden death.
"If I look hard enough into the setting sun, my love will laugh with me before the morning comes" - This refers to her in Heaven.
The Rolling Stones wrote this as a much slower, conventional Soul song. When Bill Wyman began fooling around on the organ during the session doing a takeoff of their original as a spoof of music played at Jewish weddings. Co-manager Eric Easton (who had been an organist), and Charlie Watts joined in and improvised a double-time drum pattern, echoing the rhythm heard in some Middle Eastern dances. This new more upbeat rhythm was then used in the recording as a counterpoint to the morbid lyrics.

The White Stripes "Icky Thump"
Jack White explained that he had heard his British wife, model Karen Elson, use the expression "Ecky Thump," a Northern English phrase that means "What The Heck." He changed it to the more American sounding "Icky" (meaning disgusting) so that teenagers would get it, citing how Led Zeppelin dropped the "A" in "Lead" for the same reason. Jack liked the expression and wrote the song around it with his bandmate Meg White.
The song is a commentary on immigration, and how immigrants are treated unfairly in America.
The lyrics, "I'm gonna sing around the collar" is a play on "Ring around the collar," which refers to the tough-to-remove sweat and dirt stains on the inside of shirt collars. It is typically used in laundry detergent commercials.
Candy cane is a traditional American red and white striped Christmas candy. The White Stripes use only these colors (often in stripes) and black in their sets and costumes.
The "Dry Ice" mentioned in the lyrics refers to solid carbon dioxide, which is typically used in horror films to create artificial fog.


The Beatles "Blue Jay Way"
George Harrison wrote this in a house he rented in Los Angeles on a street named Blue Jay Way. He was waiting for his friend Derek Taylor when he came up with the song.
The line "Don't Be Long" is repeated 29 times.
The vocals, organ, and drums were played on 2 tape machines slightly out of sync to get the phasing effect.
When the ending is reversed, it sounds suspiciously like "Paul is bloody." This added to the "Paul is Dead" hoax.

Saving Abel "Addicted"
Vocalist Jared Weeks wrote this song about sexual escapades in the early days of Saving Abel. He recalled on the band's website: "I used to work at a hospital. I'd have to be there at 4:30 in the morning drawing blood. I'd wake people up and stick a needle in their arm. I'd be walking around the hospital, singing 'Addicted' in my head, writing down the lyrics on patients' clipboards and doctor script pads.
"Saving Abel got its name from the Biblical story of Cain and Abel. Guitarist Jason Null explained on his band's website: "I googled the story of Cain and Abel and found a line about 'there was no Saving Abel,' which just jumped out at me."
Abel was a son of Adam and Eve. As a shepherd, he made burnt offerings of meat to God, which were more acceptable than the fruits offered by his brother Cain. The jealous Cain then murdered Abel.

Local H "Bound for the floor"
This song is written from the viewpoint of someone who is concerned for another. The verses are this person mocking what he thinks the other is feeling, saying that the person he is concerned about is acting as if there is no point to life, that he was born to have bad things happen to him. The chorus is the concerned person telling the other to fight against it.
The key to unlocking the song is understanding the chorus, and in order to do so, you must know the term "copacetic." Copacetic is a slang term meaning fine, completely satisfactory, and okay. The lyrics, "And you just don't get it, you keep it copacetic" mean that this person doesn't understand that he can't keep it all inside and pretend that everything is okay. The lines, "And you learn to accept it, you know you're so pathetic" mean that this person is pathetic for trying to hide his true feelings and accept all the bad things that are happening to him.

Thrice "The melting point of wax"
There are references to Greek Mythology in this song. The speaker is Icarus from The Flight of Icarus, who created wings made of wax that melted when he flew too close to the sun. The song is about determination and the joys of flight, both literally and metaphorically. The Thrice song "Daedalus" is written from the perspective of Icarus' father.

Red Hot Chili Peppers "Can't Stop"
For this song, lead singer Anthony Kiedis wrote the lyrics around the music. The words are a somewhat random collection of thoughts, with some creative rhyming thrown in to fit the rhythm of the song ("Can I get 2 maybe even 3 of these, come from space to teach you of the pleiades"). The song encourages the listener to live with passion and individuality ("This life is more than just a read-through"), something the Chili Peppers have done throughout their career.

Monday, April 8, 2013

REVIVAL TOUR 2012 REVISITED




Felipe M

In anticipation for The Revival Tour date in Chicago tomorrow, we take a fond look back at last year's date in Chicago.  

For those that don't know what The Revival Tour is, it's basically the Warped Tour of folk-punk/acoustic music.  There is no time slots for bands.  There are no headliners.  Best of all, there are no stops; once one act is finish, another one immediately follows, and there's plenty of collaborations and group songs on stage.  

The last time I went to this event was back on October, 25, 2009 at Reggie's Rock Club.  I thought I was there to see a Chuck Ragan show, but instead, was surprised to see the format that was being used.  I felt like I was part of a campfire event or a spontaneous hoedown that broke out in the middle of the city.  It was such a fun time and Chuck Ragan finally appearing solo for about 5-6 songs was the best part of the night.  He was so strong and energetic.  He definitely was the show-stopper.  But he then gave way to Jim Ward (former At the Drive-In guitarist) and he wasn't as loud or as forceful as Ragan, but his soft crooning was pretty captivating in itself as it really felt we were back in his hometown of El Paso, TX sitting beneath a dark open sky with a huge bonfire providing the only light in the darkness.  

That night, Ragan had announced that after the show, the rest of the group would make their way to the adjacent Reggie's Music Joint, which is the bar and grill wing of the concert venue and continue to play there for the rest of the night, taking requests, and having audience members sing along on the tiny stage at the bar.  Jim Ward was still playing well after 11PM and if I were to believe Ragan, they must have been jamming at the bar well past after midnight.  According to the schedule, they were due in Minnesota the next day as well so kudos to them for finding extra time to play in Chicago after their show.  Unfortunately for me, it was a Sunday and I had to go to work the next day, but that must have been pretty awesome. 

The participants in the 2009, Chicago stop of the tour were as follow:
  • Ragan
  • Ward
  • Austin Lucas
  • Bob Lucas
  • Audra Mae
  • Haywood Yards
So fast-forward to 2012 and I now know the difference between a Chuck Ragan show and The Revival Tour show and now I know what to expect.  Well, what happened next was beyond my wildest expectations:

April 9, 2012: THE REVIVAL TOUR, The Bottom Lounge, Chicago, IL

Devon, Ricardo, and I were there really early.  Too early.  We arrived little before 6:30PM, supposedly the start time of the show.  Knowing what I know about this show, I made a concerted effort to arrive early for this gig.  We must have waited for 45 minutes, standing and staring at the stage and looking at nothing but acoustic guitars, microphones and their stands, and no people.  The crowd would scream out in anticipation and then the yells would die down as we collectively waited for the show to start.

Finally, after the long wait, all the musicians that were to perform that night came out and did a couple of songs together.  The musicians at this show were:
  • Chuck Ragan (with Jon Gaunt and Joe Ginsberg)
  • Dan Andriano
  • Cory Branan
  • Austin Lucas (special guest)
  • Nathaniel Rateliff
  • Surprise guest, Tim McIlrath
There was another "surprised guest" at this show, but I don't remember his name.  He was a lanky guy who played his guitar sitting on a stool. He was the only guy  who did that throughout the show.  He played fast-paced songs with a light, soft, high-pitched voice.  Andriano seemed to have been a huge fan of his.  If I remember correctly, he would reappear later that night in support of Andriano, singing the Alkaline Trio song, "Blue Carolina" from the album Good Mourning.  I guess I'll never find out who that dude was.

Austin Lucas was fun to watch.  He was running all over the place.  When Ragan went on stage to sing "Let It Rain," Lucas bolted from backstage and grabbed a mic, barely making it on time to sing the chorus of that song.  But his solo performance was good as well, with his honest songs of introspection.  He seemed to have the most fun interacting with people that night.  

Conversely, Rateliff was putting us to sleep with his stage presence (or lack thereof), and his slow and quiet, songs to match his inconspicuous delivery.  I was falling asleep on his set.  Every song was predictable, starting off very tranquil and every song finished with a short, abrupt, yelling of lyrics.  Tried giving this guy another chance by listening to his songs online, but got the same result.  He's just a bit boring for my taste.  

From my viewpoint, McIlrath looked awkward on stage.  He performed 3-4 songs, mostly new songs from his band Rise Against.  The awkwardness came in the fact that he looked like he felt like an intruder instead of being a guest on stage.  Even when all the musicians gathered on stage to perform collectively to finish the night, McIlrath seemed like he didn't want to be there.  He had to be coaxed on stage in order for him to be a part of the final couple of numbers. Not because he was being arrogant, rather because he felt like he was receiving undeserved spotlight.  McIlrath is a cool, classy guy, but too humble to a fault. His body language seemed to have dictate that all of the other acts had been touring and performing hard for months and he might have felt that they deserved all the attention and applause.  Tim is a big name in the punk scene, especially here in Chicago, so I guess he did not want to take anything away from the other performers, but the other performers, through an unspoken bond, made sure to let Tim know he was just as important to the Tour, even if he was just there for one stop.  They made sure to include him in every group song to finish off the show.  

And that's what this Tour is all about: friendship, camaraderie, unity, peace, and harmony through music.  Lucas, like McIlrath, was there as a guest and he wholeheartedly thanked Ragan throughout the night for letting him be a part of the Tour before and echoed the sentiments of the spirit of The Revival Tour.  It was a common theme throughout the night.  Nobody best exemplified this theme better than Andriano.

Dan Andriano, I believe, was making his final stop of the tour.  He admitted on stage how bittersweet it was to be home again and finally getting to see his family, but got really emotional when he explained that he was leaving the tour as well.  He couldn't praise the tour and Ragan enough.  He also might have been a bit drunk on his solo set as well.  But his set was genuinely heartfelt as he sang every song with much emotion, knowing this was the last time he would be sharing the stage with everybody involved.  

I've mentioned before how in 2009, Ragan was the show-stopper of the Chicago tour date.  Well, that title was rightfully earned by Cory Branan.  Ragan, appropriately enough, introduced him by saying, "If you don't know who this next act is, you will definitely know him by the end of the night."  His was the most energetic, extravagant, aggressive, and animated solo performance of all that night. He was cracking jokes with the audience and he performed with much gusto.  He was a lot of fun to watch as a lot of his songs had the most upfront and overt lyrics.  To my surprise, the album versions of his songs don't carry that same energy.  But if he ever comes to town, I'd highly recommend for anyone to check him out live. 

In the past, Chuck Ragan has talked about how he would like to see the Tour continue its future excursions even without him.  Although that would be the ultimate in success if a Tour can continue on without its star founder, The Revival Tour without Ragan would just not be the same.  He is The Revival Tour!  Regardless, we look forward to another installment tomorrow night at the Chicago House of Blues

More music is available here

Check out Chuck Ragan's website.

Check out The Revival Tour website.