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Showing posts with label heavy metal. Show all posts
Showing posts with label heavy metal. Show all posts

Monday, July 1, 2013

MORNING PLAYLIST: Monday Morning Edition

Felipe M

What I'll be listening to this morning:


  1. Comeback Kid: "Wake the Dead"--Wake the Dead (2005): "Coming alive, something stirs inside, this isn't over yet.  Shake off the dirt, swallow regret."
  2. Atreyu: "At Least I Know I'm a Sinner"--Suicide Notes and Butterfly Kisses (2002): "My only solace is that one day judgment will come for the wicked, then we will see who burns."
  3. Poison the Well: "Ghostchant"--You Come Before You (2003): "How many times have you woken up in a stranger's arm?  Covered in gasoline as they hover above you with the match they ignite."
  4. Unearth: "The Great Dividers"--The Oncoming Storm (2004): "Take over the world, divide our home; does hate mean freedom?"
  5. Darkest Hour: "Oklahoma"--Hidden Hands of a Sadist Nation (2003): "Forced to fit inside a mold, living to dehumanize is going to take its toll."
  6. August Burns Red: "Poor Millionaire"--Leveler (2011): "Where is the life in the life you live? You are the poor millionaire.  Where is the life in the life you live?  A lifeless empire, a lifeless heir."
(All lyrics provided by plyrics or dark lyrics, depending on the brutality factor of the band).  

Saturday, January 7, 2012

2011 BIRTHDAY FORTNIGHT: Part II: Deftones


Felipe M

As mentioned before on this website, I really do not like commercial music of any kind, including commercial/major label rock/alternative/metal bands.  However, Deftones have always had a special place since I was in high school listening to other commercial bands like Limp Bizkit, Korn, System of a Down, Staind, etc., I always felt that Deftones would stand the test of time.  A decade and a half later, Deftones, despite a lot of internal turmoil, strenuous touring, extensive drug and alcohol use, breakups and divorces, and being lumped in the whole Nu-Metal movement, they are still making music, performing live in front of thousands of people all over the world, and still being one of the most liked and respected bands in the genre.  

The biggest test for this band occurred in November of 2008 when long time bassist, Chi Cheng was involved in a horrible car accident that left him in a coma.  The band was so distraught of the event, that the last album that Chi Cheng and his bandmates were working on, Eros, was supposed to be released as early as late 2008, was put on hold as the band did not want to release the album with Cheng in a coma.  So the band instilled the services of Sergio Vega as their new bass player (for now?) and almost on the fly, created a totally different album, one with a more optimistic and positive vibe and called it Diamond Eyes.  It would prove to be popular among fans and critics alike.

So that is the backstory of this band leading up to their Chicago stop on their 2011 spring tour:

APRIL 30, 2011: THE RIV, CHICAGO, IL-- What started out as an optimistic night of metal goodness ended up in slight disappointment as even arriving at The Riv, presumably early at 7PM or so, was not early enough to catch the opening act.  Just a little band that call themselves The Dillinger Escape Plan.  

Even worse was the fact that we were met by a jammed-packed venue as already we were ALL THE WAY IN THE BACK near the corridors that take you to the exit.  One thing I absolutely hate is being far away from the stage.  It's standing room only so I should be able to fight my way to the mosh pit.  Well, let me tell you why The Riv is the absolutely worst concert venue in Chicago:

  1. Very uptight security--I know it's a lot of people to watch over, but I wouldn't be surprised if sneezing in public would be enough to get you kicked out of the venue.  You're not allowed to walk in certain areas, not allowed to stand in certain areas, it's very frustrating to deal with them.
  2. Obstructed views everywhere--Even if we decided to just sit back and enjoy the show from the safest and highest slope of the venue, apparently, all the tall people like to hang out where we were stuck in the back and secondly, the 2nd floor balcony hangs almost above the mosh pit area, creating the biggest obstructed view in the whole venue. So with the tall people and balcony, we had to seperate and fight for a better view.
  3. Getting to the mosh pit area is a pain--The problem with seeing a popular band like Deftones is that it brings a lot of fair-weathered fans who are just standing like statues trying to figure out when they will play songs from White Pony.  If fighting the hordes of drunk and high people and trying to reason with them to let you through is hard enough, there are levels you need to climb down in order to get to the mosh pit area.  Easy, right?  That's what stairs are for!  Unfortunately, the stairs are located in the middle of the venue and each level is barricaded by black rails.  You can hop over the black rails I suppose, but again, uptight security might kick you out for pulling such a stunt. So just fight towards the middle of each level and start going down the steps--well, again, the hordes of statues that call themselves people (or "fans") are obstructing your view of the rails and the stairs.  
Anyway, moral of the story is that The Riv sucks as a concert venue (always has and always will) and I only wish that Deftones perform at The Congress Theatre on their next Chicago date.

As far as the setlist, they kicked off by playing their first two singles from Diamond Eyes and then playing four consecutive songs from their 1990s releases, including "Be Quiet and Drive (Far Away)," which is the first time I've heard it live.  Also hearing it live for the first time was "Hexagram" (which was everything I had hoped for).  It was pretty cool how they played, relatively "soft" songs "Sextape" and "Beauty School" back-to-back which was followed by "Feiticeira," which is full of bondage overtones.  

Overall, it was another solid performance from Deftones.  Chino Moreno proved once again why he might just be the best front man right now and I even caught a guitar pick from guitarist Stephen Carpenter.  Only wished that I could catch The Dillinger Escape Plan, but the night was still young.  Also, spending half the show trying to make it to the pit area was absolutely unnecessary as well.  

On a more serious note, please check out this website to continue to check on the status of bassist Chi Cheng and to donate money to help with medical expenses.  


So what's the big deal about The Dillinger Escape Plan?  Click here and find out!

To find out why Felipe hates commercial music, click here.

2011 BIRTHDAY FORTNIGHT: Part I: Between the Buried and Me


Felipe M

Between the Buried and Me is our favorite metal band out there.  There's no argument.  Whether you consider them a metal band or not (because of their fusion of different genres they install into their music), without a doubt, they're one of the most unique, creative, and talented bands out there.  Even though they released an EP this year, it was just as good as many metal bands' full-lengths, if not better!  With the recent release of The Parallax: Hypersleep Dialogues as the foundation of their Spring of 2011 tour, we descend on the sleepy town of Joliet, IL and as you can read from the title of this article, we kick off my birthday fortnight (because one day is just not enough!):

APRIL 24, 2011: MOJOES, JOLIET, IL-- Just like we stated in our Streetlight Manifesto article, Mojoes is another bar that does not allow the drinking and sale of alcoholic in the mosh pit area and forces you to go to the 2nd floor of the venue to drink and purchase said beverages.  Again, Ricardo, Devon, and I have only experienced this rule outside the Chicago City Limits so we assume that it's a "suburban" thing.  

As much as we were ready to enjoy an evening of awesome music with The Ocean, Job for a Cowboy, and Between the Buried and Me, we had other things in our mind.  The Chicago Blackhawks were fighting elimination from the Stanley Cup playoffs against their archrival, the Vancouver Canucks.  We actually spent the majority of Job for a Cowboy's set with our backs turned to them because the game was so intense.  Matter of fact, we thank the band for their pulsating blast beats as it was the perfect music to release some anxiety from this tight game as we used our hands to pat them on the bar and were tapping to the rhythm of the double bass.  Shamefully, we also missed half of the beginning of BTBAM's setlist as well as we couldn't help but continually turn our heads to the direction of the TV sets to see the Hawks win in overtime.  

BTBAM started the setlist playing their entire Parallax EP.  They played it near flawlessly as "Specular Reflection" is quickly becoming a great way to start any of their future shows (for the record, the middle of the "Augment of Rebirth" ('TO CREATE, TO RECREATE!') and the xylophone crash in Lunar Wilderness are the best parts of the EP).

They moved on from the EP to play consecutive tracks from Colors, "Sun of Nothing" and "Ants of the Sky" followed by what seemed to be an impomptu jam session of "Swim to the Moon" highlighted by a guitar solo from Paul Waggoner and drum solo by Blake Richardson.  

We also finally got a chance to listen to "Fossil Genera-A Feed from Cloud Mountain Live" and "Selkies: The Endless Obsession" live for the first time in our lives.  

Overall, this was an amazing show with great bands playing great sets, the Blackhawks winning, and a pretty memorable drive down to Joliet, IL (you might remember this crap-tacular town from such references as THE BLUES BROTHERS movie, the famously infamous Joliet Prison, Route 66, etc.).  This would be worthy of gaining the top spot in the pursuit of our annual SHOW OF THE YEAR!


Check out past articles about Between the Buried and Me.


Sunday, August 7, 2011

Is Image Everything? Felipe's Music Manifesto


Felipe M.




I just finished reading David Konow's Bang Your Head: The Rise and Fall of Heavy Metal.  Admittedly a bit dated, it was published in 2002 right as Metallica were about ready to hit rock bottom in their careers.  Nevertheless, it was a very interesting read as every chapter reads more like mini-biographies of not only famous heavy metal acts, but hard rock acts as well such as Led Zeppelin and Kiss--think That Metal Show in book form.  


When reading non-fiction works about the genre, I can't help but to get very excited when the works starts memorializing the "Thrash Metal" movement--usually sandwiched between chapters that speak of bands that wear face paint and make up (i.e. Alice Cooper and the aforementioned Kiss), to bands that insist on wearing as much leather as possible on and off stage (i.e. Iron Maiden, Judas Priest, etc.), before them and bands that cared more about their hair than their own music (or their own well-being, such as Motley Crue, Poison, etc.) after them.  Clearly, I have not hidden the fact that my musical tastes are rooted in punk rock and all of its genres and sub-genres so I can appreciate the existence of bands that developed their imagery based on the ideal to do away with glamour, theatrics, and visible imagery in metal music.  In its place were bands that wore black t-shirts (more often with other bands' logos), black jeans, and black shoes/boots with Anthrax even paving the way to wear shorts on stage.  Also missing from this movement was well-groomed, overly cared for, and chemically enhanced hair as grizzled beards and frizzled and scuzzy hair took over.



I will not be here telling whoever is reading this that they should only listen to this band and not the other band.  You can make that decision for yourself.  Instead, I will share with you the music code that I follow when listening to new bands and I like to think that it is solely based on music and not any other crappy image or gimmick the artist is trying to sell to me.  So without further ado...



FELIPE'S SIMPLE RULES ON PUNK AND METAL
  • Rule #1: If you have to wear a mask, excessive make up, or face paint, I don't want anything to do with you or your band.  Kiss, Slipknot, Marilyn Manson--you might garner lot of fans and sell many records, but I want nothing to do with any of you!  Something about covering your face makes it seem to me that you're trying too hard on displaying an image or working too hard on theatrics to worry about your music.  Also makes me wonder what the hell it is you are hiding (not in a cool, mysterious way either).  You can tell me all the reasons why Manson is one of the most artistic people in the world and how Slipknot are uber-talented; I will continue to avoid them like the plague.  

  • Rule #2: Let me preface by saying that I'm a guy who refuses to shave on a daily basis and I only wash my clothes if their longstanding odor isn't too offensive to me.  I also don't care if my haircut is not "punk enough" or if I'm wearing enough black clothes from Hot Topic so the whole world knows I'm expressing myself by letting people know I listen to Punk Rock and Metal music.  Nor do I worry that my lack of tats and piercings make me any less punk or metal.  If I find that a band seems to go out of their way to work a bit too hard on their image, then i-Tuned them off.  Bands like Anti-Flag and AFI come to mind, especially when they signed their first major label deals.  Travis Barker is another guy who went from being a punk rock drummer to being a drummer who has a punk image to go with his "punk attitude."  So to summarize, even if your band is not wearing makeup or funny-looking masks, any attempt to "dress up" is also grounds for dismissal.



When I go to a concert, I don't want to have to wait for a band to come on stage because they don't look "punk or metal enough" to get on stage yet.  Or maybe their "guyliner" isn't quite dark and guy enough yet, but a few coats promises to do the trick.  Or if their Liberty Spikes looks too punk, but not faux enough.  Nope, that just won't do!  Don't get me wrong, I do tolerate and even enjoy music by Anti-Flag, AFI, Green Day, and Blink-182.  But when I see these bands work so hard for their "look" they just simply come off as clowns.   

Yes, the quality of music is always first, but there are plenty of bands out there who don't go out of their way to create that "punk" or "metal" image.  Basically bands who "look like me" always get preferential treatment on my music rotation.  I'm talking about bands like Bad Religion, A Wilhelm Scream, Darkest Hour, The Lawrence Arms, etc.  When I see Hatebreed on stage and you have Jamey Jasta wearing a baseball hat, another band's t-shirt, shorts, and regular boots, I can appreciate that--the dude has nothing to hide and doesn't need much to get on stage, but a mic and his voice.  When i see Darkest Hour lead singer John Henry refuse to take his glasses off for a band photo, I say to myself, "Hey, I wear glasses and this guy looks like a total nerd like I do and we both like our music loud, aggressive, but with substance."  Best of all, we don't go out of our way to look like some sort of circus freak show.  When I see Bad Religion's lead singer, Greg Graffin's clothes and I can't recognize the brand names that he's wearing, I can relate because I sometimes have a hard time figuring out what brand of clothing I'm wearing (that's why I have a girlfriend so I don't have to worry about trivial stuff like that).

Probably the best personification of my decree to decide which bands will be given my valuable attention is the band Against Me!  These guys simply go on stage wearing all black--no corporate sponsored t-shirts, not even band t-shirts.  It's the coolest thing ever to see a band just go on stage and it's just four guys against the world as they put it all on black.  Their "image" is the epitome of what punk rock should be and it's more in spirit of what the genre is all about than any other fashionably conscious, popular faux punk rawk band out there.  

I can't help but think that both the punk and metal scenes are not and should not be about creating an image to appease a mainstream audience who probably does not care about the music as much as they care about the image that is being sold to them.  It's like the band Against Me! sing in their song "Reinventing Axl Rose":

We want a band
That plays loud and hard every night


A simple way to judge a band.  Very hard to quantify such a quality in today's world where attention spans keep getting shorter and shorter and style constantly trumps substance.  Worse, originality in music is pushed to the side for the chance of success by transforming into one of many copy-cat molds.  Because of this brave new world we live in, a lot of these bands have to find themselves a niche in the scene just to get our attention and avoid being accused of being a copy-cat band.  Hell, Kiss have been triumphant since the 1970s with the simple maxim that having a gimmick was better than being good, but unknown musicians who were dirt poor.

I also understand that many of these bands want to make a living out of their passion and not live dirt poor for the rest of their lives.  But for every band that has a gimmick to survive the music business, there has to be a lot more bands that are surviving who--you know?--work really hard at honing their skills in order to make great, memorable music and are making a comfortable living doing so.  At any rate, I'll continue to root for bands who classify with the latter and hoping for nothing but the worst for the bands that can be classified in the former.