50 GREATEST BAD RELIGION SONGS EVER: Part III

Felipe M. 

Moving along with the list:

#40.  "Cease"-- THE GRAY RACE (1996): First time I heard this song, it was on the live DVD LIVE AT THE PALLADIUM where lead singer Greg Graffin sings a solo version on piano.  The same version could be heard on Graffin's 1997 solo album American Lesion.  The argument could be made that Greg's version might be better than the band's electric version.  

This is yet another song that plays with the theme of inevitable mortality of mankind.  

Quote--"What pretension, everlasting peace--everything must cease."

#39.  "Doin' Time"-- HOW COULD HELL BE ANY WORSE? (1981): Final song of the original release of their first full length album.  Even as young adults, Bad Religion had their ideals intact.  Just like "Cease," this song also mocks the idea of man's notion of a higher purpose in tangible life and questions the idea of eternal life.

The real treat of this early 1980s hardcore song is near the end where the bass and guitar solo mesh perfectly with each other and takes the listener to some gritty, underground that brings you chills.  All of this climaxes with Greg's voice as he screams "Salvation!"

Quote--"Don't tell me what's wrong or right!  You're losing sight.  You're just going to die anyway!"

#38.  "All There Is"--THE EMPIRE STRIKES FIRST (2004): One of the more popular songs on college radio when the album was released, this song brings back good memories.  This song is also played live on LIVE AT THE PALLADIUM and sometimes makes its way on to current live sets.

The song is more question than answers as the song, once again, questions religion and divinity as the end all reason for existence as Graffin is constantly asking "can that be all there is?"  

Quote--"The walking wounded in a pageant of contenders who balance on a rail of pain for just a pail of rain."

#37.  "Suffer"--SUFFER (1988): This song is still played live as fans go crazy when the introduction is played.  

The song is a cry for the power elite of society to look at the suffering they have produced to the rest of "the masses of humanity."  No matter what time period in man's history, this song is appropriate how so many people work for the right of a few to remain part of the dominant population.  

For prime examples on how this song is appropriate to current events, click here.  For a song that explores the same subject matter, listen to Thrice's "Cold Cash and Colder Hearts" which is a first person perspective on how the power elite look at 90% of the Earth's human population.  Thrice's "Don't Tell and We Won't Ask" from the same album, THE ARTIST IN THE AMBULANCE, finishes that album with the same plea to the power elite to open up their eyes and see how their actions to get richer affects the rest of the world in a negative way.  Thrice and many bands just like them further prove the massive influence that Bad Religion has had on the current punk/hardcore scene.

Quote--"This deformed society is part of the design.  It'll never go away, it's in the cards that way..."

#36.  "Dearly Beloved"--NEW MAPS OF HELL (2007): This is a difficult song to pinpoint its meaning as it could be decipher in so many ways.  However, at its broadest and most vague, perhaps the song is about turning your back on conformity and the resulting consequences it bestows on the individual who wants to follow their own path, such as ridicule and isolation. 

Quote--"Dearly Beloved, make no mistake, despite our traits I've seldom seen.  I can't relate to you."

Part IV of the list can be viewed here. 

About Me:

Current Favorite Show: Catching up on BREAKING BAD.  It's been awhile since a drama could move me like this.  Regretfully, I wish I could catch up on THE WIRE.

Currently Listening To: CRACK THE SKYE by Mastodon.  I didn't really like it. Strange since I recently enjoyed listening to Coheed and Cambria.

Currently Watching: Rockies vs Cardinals--Hoping Fernando Salas gets a chance for the save and get me the 10 points I need to win my fantasy game this week.

Currently Finished Reading: THE POSTMAN by David Brin.  Cool story about survival in a post-apocalyptic world, but could be very preachy at times. 

50 GREATEST BAD RELIGION SONGS EVER: Part I

Felipe M.




Finally, Part I has arrived!  We countdown the best Bad Religion songs ever and let you know the album and year it was released and a short comment as to why it made the list.  Without further ado:



#50. "Delirium of Disorder"-SUFFER (1988): Suffer is one of my favorite albums ever and I can still listen to it from beginning to end without hesitation.  However, for a while, the one song that I hated was this one because of the introduction as someone with a robotic, Satanic voice would very suddenly say the phrase "DELIRIUM OF DISORDER."  That used to scare me every single time the first several times I would listen to this album.  Eventually it won me over because it is a typical fast-paced Bad Religion song that blasts into your ears.  

As with a lot of Bad Religion songs, if your vocabulary is limited, you will have to bust out the dictionary to look up words.  This song in particular, as with a lot of Bad Religion songs, mocks the idea of people thinking that they have a significant reason for existing besides mere survival.  

Quote--"Chaos is the score upon which reality is written." 

#49. "Them and Us"--THE GRAY RACE (1996): Song was part of the soundtrack for the video game Crazy Taxi and helped a lot of people become Bad Religion fans undoubtedly.  

The song deals with race (appropriately enough for an album called The Gray Race) and how foolish it is to divide people into groups and categories because in the end we are all the same.  However, the song does acknowledge that humans, through psychological and social structures, cannot help but to create these differences--differences that are so rigid, which ultimately leads to this "Them and Us" mentality.

Quote--"Hate is a simple manifestation of the deep-seated, self-directed frustration.  All it does is promote fear and consternation."

#48. "It Must Look Pretty Appealing"--NO CONTROL (1989):  This album was the first Bad Religion CD I ever bought and pretty much was the gateway for the rest of the band's work.  

This song in particular focuses on the theme of introspection, almost encouraging an individual to question their comfortable, but routine, day-to-day life.  Greg Graffin's voice almost dares the listener to change their boring life, but he ridicules and teases the listener throughout the song, knowing very well that the individual will continue to lead a dull existence in reverie.


Quote--"You're too scared of other people not like you"


#47. "Anesthesia"--AGAINST THE GRAIN (1990): Many fans have stated that the first verse of this song was about the Charles Manson murders and it might be, as Bad Religion is known to find witty ways to reference events.  The lyrics and the fact that Brett Gurewitz wrote the song, might be autobiographical in nature as Mr. Brett has had problems with drugs and the song is littered with vague drug references, especially heroin.  A good example of how the band uses double meanings in their lyrics. 


Quote--"I've been hanging out here, for eleven long years, like a church mouse wondering where the cat has gone."


#46. "Bored and Extremely Dangerous"--THE PROCESS OF BELIEF (2002): I always thought that this track was in some way connected to the song "Broken" in that same album.  Where "Broken" ends in an optimistic note for a couple of teens, the perceived young person (or persons) in "Bored" is not so lucky and is constantly crying for help, compassion, and understanding.  The individual in the song will even resort to violence (whether harming themselves, others, or both) if not given the proper attention they so desperately need.  


The alarm clock and telephone ringing in the middle of the song is creepy as if to say "time's up"---appropriate for an isolated teen in high school who loathes having to go to class to be judged, persecuted, and bullied or the adult who lives a meaningless life and does his real living in his dreams every night only to be interrupted by the daily grind that is his day-to-day life.


Ironically, as the song ends and Greg Graffin cries for someone to "Listen to me," one will notice that the vocals go from being plea-like to hopeful, suggesting optimism for those that need such charity.


Quote--"Yeah, sure I might do harm and bear my right to arm."


Part II is available, here.....