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Showing posts with label Rise Against. Show all posts
Showing posts with label Rise Against. Show all posts

Thursday, August 24, 2017

Song Facts

Sacramento Regional Transit

Deftones 'Knife Party'

This is about going to a shooting gallery - a place where people go to inject themselves with drugs. In the first line they say "My knife is sharp and chrome." A chrome knife is another name for a syringe used for injecting drugs into your bloodstream. "Come see inside my bones" is probably talking about injecting himself. "I can float here forever" is describing getting high. The other lines in the song all work with the same theme as well. The album title is a reference to high grade cocaine.

UnderOath 'Writing On The Wall'

This song is about a family that is broken apart (step dad, dad, mom, son and step sister). The step dad is abusive and the real dad tries to stop him from abusing the daughter. The step dad and dad get in a fight and the step dad ends up killing the dad.

Rise Agaisnt 'Ready to Fall'

This song deals with pollution and its effects on the environment. The video shows how animals suffer from the actions of man. Rise Against is active with PETA, and are all vegans.

Story of the Year 'Swallow the Knife'

This song about cutting yourself and how much it bleeds. They said that it's mostly about someone who is depressed and feels like that person wants to killed himself or how much it bleeds.

Nirvana 'Pennyroyal Tea'

This song is about making a tough decision, the difficult choices around it, and the guilt following it. The reference to laxatives and cherry-flavored antacids implies the song is about heroin addiction. Many junkies have laxatives around to combat the chronic constipation that opiates bring. The lyrics could be Kurt thinking he's a lazy, weak figurehead who is depressed and sad and wants a new life. Some lyric analysis:"I'm on my time with everyone" - He was usually late for interviews."I have very bad posture" - Childhood Scoliosis made him appear hunched over."Sit and drink pennyroyal tea" - This could be a drug he took to calm his stomach pains, but it is also a play on words with penny royalty, meaning a cheap figure head."Distill the life that's inside of me" - He wants to cleanse his life and start fresh. The line, "I'm on warm milk and laxatives." could be about Cobain's dependence on DXM, scientifically known as dextromethorphan, which is available in most drug stores. As a result of consuming so much DXM (in the form of Robotussin), he developed stomach pains. One of the long term affects from this is the deterioration of the kidney and liver. The pain that you get from this physically addicting drug is unimaginable. It drove him to do heroine, which didn't last long so he used other remedies to cure his stomach pain.

Thursday 'Autumn Leaves Revisited'

This song is about a young boy or girl who loses their father in the war. The line, "Did you hear the trumpets play the day your father died?" suggests a military funeral; "Did the drums in the street make the people dance, or fall to their knees as the sound" compares it to a leaf falling from a tree in the summer (tree = family tree). The child wishes it could be summer forever: "there must be somewhere... and the leaves don't abandon their trees to the light where the skies are clear and the summer never ends" because if summer didn't end no one would fall from life as leaves. However, the father will still be there when the child dies, the message being, don't fear death.

Bad Religion 'American Jesus'

This was written in response to US President George H. W. Bush's comment that the US would win the Gulf War (the first one) because God is on their side. It's pretty much a satirical view on the general American thought that the United States is the most powerful nation in the world because it is "One nation under God."

John Lennon 'I Found Out'

In this angry and bitter song Lennon attacks a number of falsehoods such as the idolatry of the Beatles and how he is the focus for many of those involved in the peace movement. This song includes the line: "The freaks on the phone won't leave me alone, so don't give me that brother, brother." Lennon explained the lyric to the January edition of Rolling Stone. He said: "I'm sick of all these aggressive hippies or whatever they are, the "Now Generation," being very up-tight with me. Either on the street or anywhere, or on the phone, demanding my attention, as if I owed them something." Ringo Starr played drums on this track. After the break-up of the Beatles, Lennon continued to have a good relationship with Ringo. He explained why to Rolling Stone: "In spite of all the things, the Beatles could really play music together when they weren't uptight, and if I get a thing going, Ringo knows where to go, just like that, and he does well. We've played together so long, that it fits. That's the only thing I sometimes miss is just being able to sort of blink or make a certain noise and I know they'll all know where we are going on an ad lib thing. But I don't miss it that much."

Gaslight Anthem 'The '59 Sound'

The line "I hope we don't hear Marley's Chains we forged in life" is a reference to the ghost of Jacob Marley from Dickens' A Christmas Carol. This is one of many quotes and references from novels, films and songs on The '59 Sound. Singer guitarist Brian Fallon explained to Jam! Music: "I look at our music as a soundtrack and I look at the lyrics like a movie script. And I try and write them so that people are watching the images go by in their head as they're hearing the lyrics. And when I reference another song it's because it's playing during a scene in that movie. At least, that's how I see it in my head."

Taking Back Sunday 'You Know How I do'

This is a song about a guy and his girlfriend who both lead a life of partying, drinking and drugs. The guy says he's had enough of it, but his girlfriend hasn't so it's either give it up or he's going to dump her. The song title came from the movie Made starring Vince Vaughn and Jon Faverau. Vaughn's character, Ricky Slade, says, "You know how I do" throughout the film.

Monday, April 8, 2013

REVIVAL TOUR 2012 REVISITED




Felipe M

In anticipation for The Revival Tour date in Chicago tomorrow, we take a fond look back at last year's date in Chicago.  

For those that don't know what The Revival Tour is, it's basically the Warped Tour of folk-punk/acoustic music.  There is no time slots for bands.  There are no headliners.  Best of all, there are no stops; once one act is finish, another one immediately follows, and there's plenty of collaborations and group songs on stage.  

The last time I went to this event was back on October, 25, 2009 at Reggie's Rock Club.  I thought I was there to see a Chuck Ragan show, but instead, was surprised to see the format that was being used.  I felt like I was part of a campfire event or a spontaneous hoedown that broke out in the middle of the city.  It was such a fun time and Chuck Ragan finally appearing solo for about 5-6 songs was the best part of the night.  He was so strong and energetic.  He definitely was the show-stopper.  But he then gave way to Jim Ward (former At the Drive-In guitarist) and he wasn't as loud or as forceful as Ragan, but his soft crooning was pretty captivating in itself as it really felt we were back in his hometown of El Paso, TX sitting beneath a dark open sky with a huge bonfire providing the only light in the darkness.  

That night, Ragan had announced that after the show, the rest of the group would make their way to the adjacent Reggie's Music Joint, which is the bar and grill wing of the concert venue and continue to play there for the rest of the night, taking requests, and having audience members sing along on the tiny stage at the bar.  Jim Ward was still playing well after 11PM and if I were to believe Ragan, they must have been jamming at the bar well past after midnight.  According to the schedule, they were due in Minnesota the next day as well so kudos to them for finding extra time to play in Chicago after their show.  Unfortunately for me, it was a Sunday and I had to go to work the next day, but that must have been pretty awesome. 

The participants in the 2009, Chicago stop of the tour were as follow:
  • Ragan
  • Ward
  • Austin Lucas
  • Bob Lucas
  • Audra Mae
  • Haywood Yards
So fast-forward to 2012 and I now know the difference between a Chuck Ragan show and The Revival Tour show and now I know what to expect.  Well, what happened next was beyond my wildest expectations:

April 9, 2012: THE REVIVAL TOUR, The Bottom Lounge, Chicago, IL

Devon, Ricardo, and I were there really early.  Too early.  We arrived little before 6:30PM, supposedly the start time of the show.  Knowing what I know about this show, I made a concerted effort to arrive early for this gig.  We must have waited for 45 minutes, standing and staring at the stage and looking at nothing but acoustic guitars, microphones and their stands, and no people.  The crowd would scream out in anticipation and then the yells would die down as we collectively waited for the show to start.

Finally, after the long wait, all the musicians that were to perform that night came out and did a couple of songs together.  The musicians at this show were:
  • Chuck Ragan (with Jon Gaunt and Joe Ginsberg)
  • Dan Andriano
  • Cory Branan
  • Austin Lucas (special guest)
  • Nathaniel Rateliff
  • Surprise guest, Tim McIlrath
There was another "surprised guest" at this show, but I don't remember his name.  He was a lanky guy who played his guitar sitting on a stool. He was the only guy  who did that throughout the show.  He played fast-paced songs with a light, soft, high-pitched voice.  Andriano seemed to have been a huge fan of his.  If I remember correctly, he would reappear later that night in support of Andriano, singing the Alkaline Trio song, "Blue Carolina" from the album Good Mourning.  I guess I'll never find out who that dude was.

Austin Lucas was fun to watch.  He was running all over the place.  When Ragan went on stage to sing "Let It Rain," Lucas bolted from backstage and grabbed a mic, barely making it on time to sing the chorus of that song.  But his solo performance was good as well, with his honest songs of introspection.  He seemed to have the most fun interacting with people that night.  

Conversely, Rateliff was putting us to sleep with his stage presence (or lack thereof), and his slow and quiet, songs to match his inconspicuous delivery.  I was falling asleep on his set.  Every song was predictable, starting off very tranquil and every song finished with a short, abrupt, yelling of lyrics.  Tried giving this guy another chance by listening to his songs online, but got the same result.  He's just a bit boring for my taste.  

From my viewpoint, McIlrath looked awkward on stage.  He performed 3-4 songs, mostly new songs from his band Rise Against.  The awkwardness came in the fact that he looked like he felt like an intruder instead of being a guest on stage.  Even when all the musicians gathered on stage to perform collectively to finish the night, McIlrath seemed like he didn't want to be there.  He had to be coaxed on stage in order for him to be a part of the final couple of numbers. Not because he was being arrogant, rather because he felt like he was receiving undeserved spotlight.  McIlrath is a cool, classy guy, but too humble to a fault. His body language seemed to have dictate that all of the other acts had been touring and performing hard for months and he might have felt that they deserved all the attention and applause.  Tim is a big name in the punk scene, especially here in Chicago, so I guess he did not want to take anything away from the other performers, but the other performers, through an unspoken bond, made sure to let Tim know he was just as important to the Tour, even if he was just there for one stop.  They made sure to include him in every group song to finish off the show.  

And that's what this Tour is all about: friendship, camaraderie, unity, peace, and harmony through music.  Lucas, like McIlrath, was there as a guest and he wholeheartedly thanked Ragan throughout the night for letting him be a part of the Tour before and echoed the sentiments of the spirit of The Revival Tour.  It was a common theme throughout the night.  Nobody best exemplified this theme better than Andriano.

Dan Andriano, I believe, was making his final stop of the tour.  He admitted on stage how bittersweet it was to be home again and finally getting to see his family, but got really emotional when he explained that he was leaving the tour as well.  He couldn't praise the tour and Ragan enough.  He also might have been a bit drunk on his solo set as well.  But his set was genuinely heartfelt as he sang every song with much emotion, knowing this was the last time he would be sharing the stage with everybody involved.  

I've mentioned before how in 2009, Ragan was the show-stopper of the Chicago tour date.  Well, that title was rightfully earned by Cory Branan.  Ragan, appropriately enough, introduced him by saying, "If you don't know who this next act is, you will definitely know him by the end of the night."  His was the most energetic, extravagant, aggressive, and animated solo performance of all that night. He was cracking jokes with the audience and he performed with much gusto.  He was a lot of fun to watch as a lot of his songs had the most upfront and overt lyrics.  To my surprise, the album versions of his songs don't carry that same energy.  But if he ever comes to town, I'd highly recommend for anyone to check him out live. 

In the past, Chuck Ragan has talked about how he would like to see the Tour continue its future excursions even without him.  Although that would be the ultimate in success if a Tour can continue on without its star founder, The Revival Tour without Ragan would just not be the same.  He is The Revival Tour!  Regardless, we look forward to another installment tomorrow night at the Chicago House of Blues. 

More music is available here. 

Check out Chuck Ragan's website.

Check out The Revival Tour website.