‘Vogue’ (By Madonna)
"Vogueing" was a dance craze popular in
the gay community where dancers used elaborate hand gestures and frequently
stopped to pose. This song brought the dance style to the mainstream and
solidified Madonna's standing as an icon in the gay community.
Madonna's best friend Debi Mazar first noticed the
Vogue craze while they were out clubbing. She was fascinated by the way these
men would "Strike a pose" while holding their bodies in strange
positions. Madonna took the idea to the New York producer Shep Pettibone, who
she had recently begun working with, and they wrote the song together.
Pettibone was a DJ at Sound Factory, which is the club where Madonna saw the
dancing.
This song was originally written as the B-side to
"Keep It Together," a single release in America only. However, when
Shep Pettibone played "Vogue" to the record company executives at
Sire, they decided that the song was too good to waste on a B-side.
Madonna mentions many glamorous actors and actresses
in the lyrics, including Ginger Rogers, Fred Astaire and Jean Harlow. Some of
the mentions are a little forced: "They had style, they had grace, Rita
Hayworth gave good face."
Lauren Bacall was the last surviving legendary actor
or actress mentioned in this song. She passed away after a stroke on August 12,
2014. Greta Garbo, Marlene Dietrich, Joe DiMaggio (the only non actor
mentioned), Marlon Brando, Gene Kelly, Ginger Rogers, Katharine Hepburn, and
Lana Turner all previously departed before the husky-voiced Hollywood icon.
The video featured the "House Of
Extravaganza," a group of New York City dancers who "Vogued"
along with Madonna. Before fading into obscurity, they performed on talk shows
as America became interested in the Vogue phenomenon.
The video was directed by David Fincher, who
directed Alien 3. He went on to direct Seven (1995), Fight Club (1999) and
Zodiac (2007). Fincher also directed Madonna's "Express Yourself,"
"Oh, Father" and "Bad Girl."
This was included on Madonna's album I'm Breathless,
which was "inspired by" the movie Dick Tracy. Madonna starred in the
movie with Warren Beatty, and they became a couple. Speaking about this song in
the October 29, 2009 issue of Rolling Stone, Madonna said, "I wrote it
when I was making Dick Tracy. After we shot the movie, Warren Beatty asked me
if I could write a song that would fit my character's point of view, that she
could have conjured up. She was obsessed with speakeasies and movie stars and
things like that. The idea for the lyrics came through that request."
One of the dancer's striking a pose in the video was
Belgian dancer Salim "Slam" Gauwloos, who went on to choreograph and
create ballets. He recalled to Q magazine June 2009: "I first auditioned
for her tour with 2000 other hopefuls. People turned up with flowers and gifts
for Madonna, which was weird to me - I just danced." He added:
"Shooting a video in two days, 16 hours a day, required a lot of focus.
David Fincher told me to stand and hit different poses with my body and face. I
was ambitious and became frustrated I wasn't dancing that much and thought, 'Great
- no one's going to see me.' So I was really surprised I got so much focus in
the video."
Madonna was the subject of a lawsuit in 2012
claiming that portions of the song borrowed the horns and strings heard in
Salsoul Orchestra's 1983 dance tune, "Ooh, I Love It (Love Break)."
Music Bosses at American record company VMG Salsoul only discovered the
apparent sample thanks to new technology designed to identify specific sounds.
VMG claimed that Pettibone had access to "Love Break," because he had
been hired by them to remix the song before beginning work on
"Vogue."
The suit was resolved in November 2013 with a ruling
in favor of Madonna and Pettibone. A District Court judge out of California
ruled on summary judgment that the sampling of the horns and strings was
"trivial," in that they could not be recognized.
The word vogue was very fashionable in 1990. Not
only did this song top the charts, but the magazine Vogue was enjoying a
resurgence under the guidance of Anna Wintour, and the group En Vogue emerged
with their first hit, "Hold On."
‘Supermodel
(you better work)’ (by Rupaul)
Before this song made him the most famous drag queen
of his time, Rupaul (born Rupaul Andre Charles), was hustling work in Atlanta
as an actor, model and dancer. Born in San Diego, Rupaul moved there with his
sister in the early '80s, and one day auditioned for a stage show called The
Shaggy Dog Animation. He brought with him a sign reading "Rupaul is
Starrbooty," which got the attention of the composer Jimmy Harry, who was
working on the show. Rupaul got a role in the production and started a working
relationship with Harry.
After Rupaul moved to New York and became a star of
the Drag scene, he got a record deal with the Tommy Boy label. For his first
single on the label, Rupaul and Harry joined the producer Larry Tee to write
"Supermodel," a song about "working it" on the runway. A
natural extension of Rupaul's Drag act and model persona, he exuded confidence
on the track, as if he was a master instructor drilling his charges. (This came
full-circle in 2009 when Rupaul's reality/competition show RuPaul's Drag Race
debuted on the Logo network.)
The song was a huge hit in dance clubs, going to #1
on the Dance charts. It also did surprisingly well on the Pop charts, making
#45 in America and #39 in the UK despite garnering very little airplay.
Rupaul's career took off - he got a radio show, an
endorsement deal with MAC cosmetics, and a number of TV and movie appearances.
The song also launched the career of Jimmy Harry, who became a top
songwriter/producer. His writing credits include "Low" by Kelly
Clarkson, "True" by Ryan Cabrera, and "Funhouse" by Pink.
Rupaul is not a gifted vocalist in any traditional
sense, but he can add flavor to a Dance production and provide striking visuals
to support it. His music is a corollary to his performance art, which proved
very popular within his niche. Following the release of this song, Rupaul had
several more encounters with the Hot 100. "Back To My Roots" bubbled
under at #106 in 1993, and the following year his duet with Elton John on
"Don't Go Breaking My Heart" made #92. In 1996, he reached #95 with
"Snapshot."
This song was first released as a
"maxi-single" with four different mixes on the first side:
Ready To Wear Mix
7" Mix)
Couture Mix
La Wanda In Your Face
The B-side contained three mixes of a song called
"House of Love." When the single took off, Tommy Boy commissioned a
full album, which was released in 1993 as Supermodel of the World.
The song tapped into America's fascination with
Supermodels, which was the new crop of models whose reach extended far beyond
the pages of magazines. Madonna and George Michael had each brought modeling
into the musical realm, with Madonna's "Vogue" channeling model
culture and Michael's "Freedom '90" featuring five of the most famous
supermodels: Cindy Crawford, Naomi Campbell, Linda Evangelista, Christy
Turlington and Tatjana Patitz.
The Randy Barbato-directed music video has RuPaul
strutting around New York City on various fashion shoots and selling perfume in
a mock commercial. The scene with him splashing through a fountain was inspired
by the 1975 Diana Ross film Mahogany.
‘Dance Hall
Days’ (by Wang Chung)
Jack Hues of Wang Chung told Eric Greenberg on the
Just My Show podcast: "It begins quite innocent: 'take your baby by the
hand,' and then the last verse with 'take your baby by the wrists, and in her
mouth an amethyst,' it's all a bit more hallucinogenic in a way, how things
that start off simple get complex.
My dad was a musician, and he had a band that played
in an old-fashioned dance hall. I used to play with him in that band, so maybe
there's sort of the nostalgia that's in the track. It's all quite real,
actually, as far as experiences that I had when I was first starting out playing,
and playing in public.
Musically, it's that sort of rhythm and that kind of
shuffly beat. Technically it's sort of like 3 against 2 (laughs), but we're not
gonna talk about all that. It's a particular feel that was sort of unusual at
the time, I suppose. It was partly inspired by one of the Adam and the Ants
tracks, and that's part of the thinking of using Chris Hughes, who produced
Adam's Kings of The Wild Frontier album. I think the record company were keen
that we sort of met up with him, and Chris and I have been friends ever since
that time - Chris works with me on my jazz records that I've made in the last
couple of years. It's been one of the most important friendships of my
life."
Even though they are British, this was Wang Chung's
only hit in the UK. After it proved to be a bigger hit in the US and was
featured in the film To Live And Die In LA, they decided to ignore the UK
market and concentrate on the US. This proved an astute decision as they
recorded two more American top 10 hits, "Everybody Have Fun Tonight"
(#2 in 1986) and "Let's Go!" (#9 in 1987), whilst not even recording
a minor chart placing in the UK.
Hues explained on Just My Show: "I think it has
perhaps created a slight air of unreality around it. Because Wang Chung in
Britain is sort of obscure '80s band. I think 'Dance Hall Days' was a fairly
substantial hit over here, although it didn't chart high, it was in the charts
for a long time. It took a long time going up, and a long time going down, like
a proper record should do. And we did Top of the Pops a couple of times, which
was a big BBC show where promising bands - or not so promising bands - got
their exposure. But I think the divide between the US and the UK for me
probably worked, in that I'm quite a private person, and at the time of 'Dance
Hall Days' I had three children, and I wasn't married at the time, but my
family life is very important to me. Being able to come home and be low key was
great. I could leave all of the craziness behind in the States and just be myself,
as it were, when I got back here."
This was featured in the 1997 movie Romy and
Michele's High School Reunion.
Wang Chung frontman Jack Hues' real name is Jeremy
Ryder. He took the stage name as a persona, which British musicians like Joe
Strummer and Johnny Rotten were doing at the time. He is the biological father
of British actor Jack Ryder, who played Jaime in the British Soap Opera
Eastenders.
When this song was on the charts, Wang Chung was
touring in America as the opening act for The Cars, who were supporting their
album Heartbeat City.
‘Dancing Queen’
(by Abba)
This was written by ABBA members Bjorn Ulvaeus and
Benny Andersson. According to ABBA's official site, it was conceived as a dance
song with the working title "Boogaloo." They drew inspiration from
the 1974 George McCrae disco hit "Rock Your Baby," and from the
drumming on the 1972 album Gumbo by Dr. John. Their manager Stig Anderson came
up with the title "Dancing Queen," and after several months working
on the track, ABBA came up with arguably the world's first europop disco hit.
ABBA recorded this about a year before it was
released. It was written and recorded around the same time as
"Fernando," which was chosen as the single. They knew "Dancing
Queen" would also be a hit, so they held it until the album was released
before issuing it as a single.
ABBA performed this song on June 18, 1976 at a
televised tribute to Queen Silvia and King Gustaf XVI of Sweden, who were
married the next day.
This was the only one of ABBA's 14 US Top 40 hits to
make it to #1.
Regarding the lyrics, "Night is young and the
music's high," many listeners interpret this as a statement that the music
makes you feel high. In ABBA's part of the world, however, it simply means that
the music is loud.
Along with many other ABBA songs, this was featured
in Muriel's Wedding, a hit Australian movie starring Toni Collette and Rachel
Griffiths.
According to the BBC Radio 2 DJ Chris Evans, when
this song was played at a Windsor Castle event Queen Elizabeth said: "I
always try to dance when this song comes on because I am the Queen and I like
to dance."
This song also reached #1 in Australia, Belgium,
Brazil, Ireland, Mexico, Netherlands, New Zealand, Norway, Rhodesia, South
Africa, Sweden and West Germany.
When Benny first played Frida the song's backing
track, she burst into tears. "And that was before me and Agnetha had even
sung on it!" she smiled to The Guardian. "I knew it was absolutely
the best song Abba had ever done."
This came top of a 2014 poll conducted by Blinkbox
concerning the most commonly misheard lyrics in Pop. 22% of the people polled
admitted they had mistaken the lyric "See that girl, watch that scene,
diggin' the dancing queen" for, "See that girl, watch her scream,
kicking the dancing queen."
Chris Stein of Blondie says that his group's 1979
hit "Dreaming" is "pretty much a cop" of "Dancing
Queen."
U2 covered this during the band's Zoo TV tour in
1992, and were joined onstage by Bjorn and Benny when the show hit Stockholm.
"ABBA have a purer joy to their music," Bono explains in the
documentary ABBA: The Winner Takes It All, "and that's what makes them
extraordinary."
The American disco singer Carol Douglas covered this
song in 1977, taking it to #110 in America. The other two covers to chart are
by ABBA clones A*Teens (#95 in 2000) and the Glee Cast (#74, 2011).
‘I want to
break free’ (by Queen)
Queen bass player John Deacon wrote this from the
male perspective of the women's liberation movement.
This song became an anthem for the ANC in South
Africa in the late-'80s when Nelson Mandela was still in jail and the white
government's apartheid policies were still in place.
The video for this song parodies a popular British
television soap, Coronation Street. The opening sequence features all the band
members in drag (Mercury as a housewife, Deacon as grandmother, Taylor as a
schoolgirl, and May as a housewife). This confused many people who didn't catch
the reference. Brian May was asked in an interview with Q magazine March 2011
whether each band member's character in the video was an accurate reflection of
their personalities? He replied: "Of Course! Everybody thinks that was
Freddie's idea because it looks like something that he would love to do but it
actually came from Roger's girlfriend at the time, strangely enough. It was her
idea to pastiche the Coronation Street women."
Singles are often edited down from the album version
of songs, but this was the opposite, as the version on The Works is about 30
seconds shorter - the single has a longer synthesizer intro and a longer solo.
Lisa Stansfield sang this at the 1992 Freddie
Mercury Tribute Concert. She came on the Wembley Stadium stage wearing hair
curlers and pushing a vacuum cleaner in tribute to the song's video.
Sadly, for some the Coronation Street pastiche video
didn't go over so well, and it was actually banned on MTV, meaning the single
died in America. Fred Mandel, who played the synths and signature solo on the
track, explained in the Days of our Lives documentary: "It's a very
British kind of humor, and I don't think it went over too well in the States.
I'm Canadian, so I get it!"
Roger Taylor seemed visibly annoyed: "In those
days on MTV, it was Whitesnake, and f--king Whitesnake, and then another
Whitesnake track! They must've thought men dressing up in drag wasn't 'rock'
enough, I suppose." Brian May added, "I think at that point we lost
America, which is a shame, as it means there's a whole chunk of Queen songs
which never got played or heard there."
Many people assume the solo is played on guitar.
Actually it's not - it's a synth solo by talented keyboardist Fred Mandel.
"John did NOT want a guitar solo" notes Roger Taylor. "So he got
Fred, who's a very brilliant keyboard player, to improvise something around the
main tune, and Fred did this brilliant take."
Brian May didn't seem to initially agree with it:
"I didn't exactly agree with it at the time, but I gave it my blessing...
that's the deal." Mandel himself joked about how it clashed with Queen's
previous no-synthesizers policy on their early 1970s records: "All the old
records used to say prominently "no synthesizers"... then I come in
like another schmuck and put synthesizers on everything!"
Freddie Mercury was all set to shave off his
trademark mustache for his turn as a woman in the video, but director David
Mallet put a stop to it. He told the documentary series Video Killed the Radio
Star: "I said, 'No, the one thing you musn't do, the funny thing is that
your mustache is there and you're in drag!' To this day, when he comes around
the corner with that hoover I laugh." Mercury did ditch the 'stache for a
later segment in the video, where he is surrounded by the Royal Ballet in a nod
to the French ballet L'Après-midi d'un faune and its clean-shaven Russian star
Vaslav Nijinsky.
Mallet, who directed several other Queen videos like
"Bohemian Rhapsody" and "Radio Ga Ga," said he had the most
fun with this clip.
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